ENG Week 3 AssignmentYour paper should be organized around a thesis statement that focuses on how your chosen director and his/her films meet the criteria posed by auteur theory and advance the possibilities of storytelling through the medium of film. Review the Week 3 Sample Paper, which provides a clear guide for developing a solid analysis as well as insight on composition.In your Paper,Explain auteur theory.Must be 1000 to 1200 words in length and formatted according to APA styleCourse Citation: Goodykoontz, B., Jacobs. C.P., Meetze, J., & Pritts, N. (2019). Film: From watching to seeing (3rd ed.) [Electronic version]. https://content.ashford.edu/
PARK CHAN-WOOK & THE APPLICATION OF AUTEUR THEORY 1Park Chan-wook & the Application of Auteur TheoryStudent NameAshford UniversityENG225: Introduction to FilmInstructor NameDue DatePurpose: Use this modeled example of the Week 3 Written Assignment toexplore the elements that make this an exemplary submission. Read thecomments to learn about what the student has done well in this assignment andwhat could be improved.PARK CHAN-WOOK & THE APPLICATION OF AUTEUR THEORY 2Park Chan-wook & the Application of Auteur TheoryThere are many avenues to becoming a competent and involved filmanalyst; seeking to improve and innovate how we critique films can beoverwhelming given the volume of content that is available to view and scrutinize.One great starting point for looking deeper into a film is outlined within auteurtheory. The auteur theory was first introduced by French critic and director FrancoisTruffaut and regards the director of a film as the author of that film; placing thedirector front and center as the person responsible for the creative decisions playingout on-screen. Although there has been noted debate regarding whether this is avalid concept, I believe that the auteur theory is a great starting point to find deepermeaning within a film. Chan-wook Park’s films Oldboy (2003) and TheHandmaiden (2016) demonstrate the deft hand of the auteur through the use ofatmospheric cinematography, dramatic lighting and color palettes, and editing tocreate a singular version of the graphically violent, horror-tinged psychologicalthriller.Technical CompetencePut simply, technical competence within film poses the question of whetherthe film is well made. Technical competence appears within every layer of the filmand can even be considered the tool with which directors create the layers of a givenfilm or scene; a competent director can add meaning and symbolism to their stories,seamlessly integrated into a given scene. Both Oldboy and The Handmaiden aretechnically sound, at the very least; director Park pulls from several differentelements to achieve the overall look and feel of both examples – from hisThis is anexcellent use oforiginal thinkingto frame auteurtheory in yourown words.Do avoid usingthe first person(words like I,me, or my) inacademicwriting, unlessyour assignmentspecifies that itis a personalreflection.Include a thesisstatement thatidentifies thedirector andfocuses on howthis director andhis/her filmsmeet the criteriaposed by auteurtheory andadvance thepossibilities ofstorytellingthrough themedium of film. See how theauthor uses levelheadings toclearly organizethe differentsections of theirpaper.PARK CHAN-WOOK & THE APPLICATION OF AUTEUR THEORY 3atmospheric cinematography, moody lighting, and dramatic music, to drawingincredibly expressive performances from his cast.In Park’s 2003 film – Oldboy – there are several aspects which add deepermeaning to the story; among them are the director’s use of nonlinear storytellingand graphic violence. Oldboy is the second installation of Park’s revenge trilogywhich examines the extent that individuals will go to in order to exact retribution;where it may seem a given that there would be heavy gore in such a storyline Parkexpertly walks the line between gore for shock-value and gore which furthers ourcharacters and their journey. For instance, among the final scenes of the film wesee our protagonist, Oh Dae-su, remove his tongue. On screen, Oh seizes his owntongue in a handkerchief and raises his scissors – the frame glides to the side of Ohto frame only his hand. There is no more or less blood during this process, but thecharacter’s fingers on the scissors work in the fashion of fingers cleaving throughthick, raw meat. This use of cinematography creates an incredibly effective imageof self-mutilation while allowing the focus to remain on the act, rather than theeffect of the wound.Although Park very often uses a nonlinear method to tell his tales I believethat the 2016 release, The Handmaiden, is an emphatic example of the creativeallowances that such a method allows the creator(s). Told in three separately labeledparts, the film tells and re-tells its story from different vantage points which changethe story entirely. The Handmaiden is first told as a heist, and then as a betrayal,and finally, perhaps, a love story – however, the viewer is always aware that it isalways the same tale. Along with this preferred method of storytelling, Park’sThis is aneffectivedescription ofhowcinematographycan be used toestablishthematicelements whileadvancing thestory.This is a verygood transitionthat linkstechnicalcompetence todistinguishablepersonality.PARK CHAN-WOOK & THE APPLICATION OF AUTEUR THEORY 4works are often directed and written by himself; including those two discussed, hereand are characterized by an often dramatic plot twist. Being the writer and directorgives Park even more authorial control over the finished product and allows him toensure that his films are uniquely his own.Distinguishable PersonalityThe works of Chan-wook Park are easily recognizable; the acclaimed writerand director traditionally works in the genre of thrillers or even horror, such as thetitles discussed in this paper. It is also true that his stories often focus around or arespurred into motion by an act or need for vengeance, which has earned him thenickname of Mr. Vengeance among fans and professional peers. Another hallmarkto be considered is the way that Park prefers to shoot his action scenes – some criticslikening it to the choreography of retro fighter games (think arcade Mortal Combat)– and this is especially evident in Oldboy. There is a particular scene, shot wide toencompass the length of a hallway as we watch the protagonist fight his wayforward through a dauting number of assailants. Other preferences such as Park’sdark sense of humor and partiality to adding drama by filming with a hand-helddevice (done again in Oldboy) allow the pieces to distinguish the personality oftheir director and establish his darker human themes.Interior MeaningThe final aspect of analyzing a film using the auteur theory is that of interiormeaning; the theory asks what the director of the film is trying to accomplish or saythrough the many elements that make up their work. Although this is an admittedlysubjective idea – meaning – I think there would be few viewers left without thePARK CHAN-WOOK & THE APPLICATION OF AUTEUR THEORY 5impression that Park is trying to convey something (perhaps many things) throughwhat plays out on screen. Speaking in general terms, I believe that the completefilmography of this director is true to himself; always maintaining although notnecessarily duplicating his preferred, stylized environment.In both Oldboy and The Handmaiden, the director seems to be asking theaudience “how far can a person be pushed? How hard can a person push?”, Parkwants to explore the deepest and darkest places of our humanity and does anexcellent job of taking the viewer with him through a variety of elements – allabsolutely vital to one another. Another hallmark of Park, a tool he uses toemphasize emotional impact, is having characters interact across space and timethrough dual or merged shots. In Oldboy we see our antagonist, Woo-jin, interactingacross the past and present with his deceased sister. I believe that this type of sceneespecially is intended to offer closure or an opportunity to understand a character’smotivations, depending on which work of Park’s is being considered but is alwaysan insight into the central theme of the given piece.ConclusionAlthough there are many approaches to digging into the meaning of any artform, the auteur theory is a very effective outline to generating deeper thoughts andidentifying important aspects of film. Using this theory it is possible to capably pickapart and then re-piece together selected works of Chan-wook Park and otherdirectors; you are able to consider the technical competency that the chosen directordisplays throughout their body of work through a variety of thematic elements; aswell as consider aspects of the film which may convey a deeper meaning about theThis is a greatplace to offersome directanalysis of thedirector’sthemes. Whatare these themesand what is hetrying to sayabout humanityand culturethrough them?PARK CHAN-WOOK & THE APPLICATION OF AUTEUR THEORY 6character and/or message that the film contains. I believe that the most effectiveway to employ the auteur theory is as a starting place; the idea is to generate furtherthought and new ideas about what you are seeing on screen – something that willbenefit the analysist specifically, rather than analyzing only to categorize.PARK CHAN-WOOK & THE APPLICATION OF AUTEUR THEORY 7ReferencesGoodykoontz, B., Jacobs, C. P., Meetze, J., & Pritts, N. (2019) Film: From watching toseeing (3rd ed.). https://content.ashford.edu/Rugg, L. H. (2014). Self-projection: The director’s image in art cinema.https://ebookcentral-proquest-com.proxy-library.ashford.eduSarris, A. (1963). The Auteur Theory and the Perils of Pauline. Film Quarterly, 16(4),26-33. doi:10.2307/3185951
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