1500-2000 word analysis based on one or two films. Papers should be 6-8 pages double-spaced, not including the Bibliography

In your paper use at least two of the five analytic tools we’ve covered this semester:

 1) Joseph Campbell’s model of the monomyth

2) Diegesis – What kind of world surrounds the film? Are there historical, cultural, or representational references? This is not applicable to all films; some films entirely create their own worlds.

 3) Scene analysis (formal elements of filmmaking such as framing and composition, mise-enscene, sound design, editing)

4) Spectatorship and Reception Theory (Stuart Hall). How does a film build a specific relationship with the viewer? Use your own personal experience and/or models such as feminism; class and race; psychoanalysis, etc., and/or your reading of a film in dominant, negotiated, or oppositional modes.

5) Bruno Bettleheim’s theories about “A Child’s Need for Magic.” 


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