Marxist Critical Approach: The musical Cabaret has a song that claims, Money makes the
world go around. Select a character from LDJN and another text to demonstrate how each is
primarily motivated by attempting to get and/or keep economic power. Be sure to give specific
examples from two texts in the form of exact quotations or paraphrases (your words and your
sentence structure) per each text (four minimum), making sure to cite and introduce correctly.
world go around. Select a character from LDJN and another text to demonstrate how each is
primarily motivated by attempting to get and/or keep economic power. Be sure to give specific
examples from two texts in the form of exact quotations or paraphrases (your words and your
sentence structure) per each text (four minimum), making sure to cite and introduce correctly.
Address the prompt with topic sentence (s) followed by one or two paragraphs.
Write clearly with no (or hardly any) comma splices, run-ons, and fragments.
Use relevant quotations and paraphrases to support your points.
Introduce all quotations and cite all quotations and paraphrases
Indicate the title of plays in italics and enclose short story and poem titles within
quotation marks.
Follow MLA format by double-spacing and using Times New Roman, size 12.
Create a title for the paper.
Employ a left and right page headers in correct MLA format.
Does not use “you, contractions, and casual expressions such as a lot and kids.
No works cited page is needed, but you do need to cite from Long Days Journey into Night
(LDJN) and another work.
Be sure to give specific examples from the two texts in the form of quotations and/or paraphrases
from each of the two texts. One of the texts must be Long Day’s Journey into Night, and the
other may be any of the short stories, play, or poems we read during the course.
When citing, use the last name and page number: (ONeill 47). If no page numbers are available
in your source of quotations, use just the last name: (ONeill).
No outside sources except the plays and stories chosen, class handouts, Critical Theory Today: A
User-Friendly Guide, and a dictionary are allowed.
You may not consult with other students, family, friends, or any other resources for this short-
essay response. Not following these guidelines will result in failing this assignment.
Write clearly with no (or hardly any) comma splices, run-ons, and fragments.
Use relevant quotations and paraphrases to support your points.
Introduce all quotations and cite all quotations and paraphrases
Indicate the title of plays in italics and enclose short story and poem titles within
quotation marks.
Follow MLA format by double-spacing and using Times New Roman, size 12.
Create a title for the paper.
Employ a left and right page headers in correct MLA format.
Does not use “you, contractions, and casual expressions such as a lot and kids.
No works cited page is needed, but you do need to cite from Long Days Journey into Night
(LDJN) and another work.
Be sure to give specific examples from the two texts in the form of quotations and/or paraphrases
from each of the two texts. One of the texts must be Long Day’s Journey into Night, and the
other may be any of the short stories, play, or poems we read during the course.
When citing, use the last name and page number: (ONeill 47). If no page numbers are available
in your source of quotations, use just the last name: (ONeill).
No outside sources except the plays and stories chosen, class handouts, Critical Theory Today: A
User-Friendly Guide, and a dictionary are allowed.
You may not consult with other students, family, friends, or any other resources for this short-
essay response. Not following these guidelines will result in failing this assignment.
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