In postmodern cinema there are gaps, you can think about these gaps in a variety of ways; with Lacan’s concept of the Real, with Deleuze’s concept of the Time Image and with some of the ways in which Sinnerbrink discusses Melancholia. In what way or ways are these gaps important to postmodern ethics? Discuss in relation to one to two of the following films, The Trial, Reservoir Dogs and Melancholia.
READINGS: Use one or more of the following readings. Richard Rushton, “The Time-Image (iii): Welles and Resnais. Fred Botting and Scott Wilson, “’Let’s Go to Work’: the ethics of professionalism”. Robert Sinnerbrink “Anatomy of Melancholia”.
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