1. Heart of Darkness, Joseph Conrad THE QUESTION: Laura Frost (2013) said: Modernists felt that they were living through a period of momentous change that called for equally radical changes in literature. “Make it new,” Ezra Pound instructed his colleagues, by which he meant, change the rules for writing and for reading. Out went clear, coherent, linear plots, omniscient narrators, and straightforward language. In came fragmentation, multiple points of view, stream of consciousness, dense allusions, and ambiguity. Using the following passage as an example, identifysomeof the ways in which Conrad’s work included fragmentation, multiple points of view, dense allusions and ambiguity. Locate the passage in the context of the work. ‘The yarns of seamen have a direct simplicity, the whole meaning of which lies within the shell of a cracked nut. But Marlow was not typical (if his propensity to spin yarns be excepted), and to him the meaning of an episode was not inside like a kernel but outside, enveloping the tale which brought it out only as a glow brings out a haze, in the likeness of one of these misty halos that sometimes are made visible by the spectral illumination of moonshine.’ You should structure your response in the following way: Decide on an argument about the originality of narrative structure in relation to Conrad. What does this type of writing tell you about the way in which early twentieth century writers attempted to change the form of the novel? How can you tell that from this quotation? You can refer to just one of the techniques mentioned above, or several. Locate the passage in the context of the work. Choose quotations that support your argument. You can also suggest how you think this passage relates to the ideas of early Modernism. You can include references to the lecturematerialand items placed on BB as well as wider reading you might undertake.
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